Never to be defined, relegated, or told what to do, the non-compliant nature of dUg Pinnick, Ty Tabor, and Jerry Gaskill might not have elevated them to the top of the charts, but what it did do was ingrain the trio deeply within its devoted fanbases hearts.
Though the band’s experimental nature left them impervious to shifting sonic tides, major, watershed success still eluded them. For Gaskill, King’s X, and his solo works, Come Somewhere (2004), and Love and Scars (2015) have served to continually put the world on notice, that while King’s X and its fearsome trio may still be underexposed, success and influence cannot always be measured in albums sold.
