A French artist, CODE Le Rappeur began his musical quest writing lyrics at thirteen years old, after becoming awash in a wave of hip-hop music through the Grand Theft Auto Soundtrack, and listening to his brother’s computer’s speakers bombing mixtapes.
“It’s not that we feel like labeling
our music, but we had to, so as to make other people understand what kind of thing we do when they ask us.”
Born in New York City, into a family of musicians, Cole Davis dedicated himself to the upright bass at the age of fourteen. What’s so special about this old Jazz soul? Keep on reading and you’ll find out.
Going a bit through his creative process, Rui shared with us his method-less methodology, in which he feels that his creations are only congested existing compositions, which need only a channel to be transposed and externalized.
From the cradle, music had always been around Bernardo Tinoco, since his father is a musician himself. Indeed, the saxophone chanted his name the loudest.
Introducing Ladra Karasu, a funked-up Post Punk music project by Marcos KB Félix. The name, “Ladra Karasu,” is the aggregation of the words Ladra and Karasu from the Portuguese, and Japanese languages, respectively.
Free Jazz made it possible to create music with no rules. Through this boundless genre, one can construct their own syntax, figuring it out on the spot, leading the band through means of melody, constant active listening, and contact with each band member.
