An Interview with Martin Barre, Formerly of Jethro Tull

In the late ’60s, Jethro Tull was a burgeoning talent shooting to the top of a bustling British rock scene.

In Conversation with Veteran Keyboardist Derek Sherinian

Recently, we spoke with versatile pianist, Derek Sherinian, who shared some of his thoughts regarding his latest album, Vortex.

Long Distance Calling Erases Modern-Day Prog-Rock Misconceptions

Follow Long Distance Calling’s vibrations and give their latest album Eraser a try. You won’t regret it.

An Interview with Duncan Mackay of Fluance and Formerly of 10cc & Cockney Rebel

Not only does Mackay’s story incorporate that of the “three musicians,” but he also moved to become an accomplished composer, delving into library music and soundtracking.

An Interview with dUg Pinnick of King’s X

Never to be defined, relegated, or told what to do, the non-compliant nature of dUg Pinnick, Ty Tabor, and Jerry Gaskill might not have elevated them to the top of the charts, but what it did do was ingrain the trio deeply within its devoted fanbases hearts.

An Interview with Oliver Wakeman of Yes

Recently, I caught up with veteran keyboardist, Oliver Wakeman, formally of Yes. Among other things, we touch on Oliver’s formative years, the influence of his father, Rick Wakeman, joining Yes, his newest solo work, and a whole lot more.

An Interview With Lawrence Gowan of Styx

The list of artists who can say that they’ve had a successful solo career and then transitioned into a second act with a seminal band in need is relatively short. Lawrence Gowans has achieved just that.

An Interview with Danny Farrow of Angel

2019’s Risen, served to put the world on notice that not only had Angel returned, but the band intended to remain vital. Ever-resistant to the “legacy act” moniker, Angel has just wrapped production and mastering on what appears to be their soon-to-be-released eighth studio album, Once Upon A Time.

An Interview with Jerry Gaskill of King’s X

Though the band’s experimental nature left them impervious to shifting sonic tides, major, watershed success still eluded them. For Gaskill, King’s X, and his solo works, Come Somewhere (2004), and Love and Scars (2015) have served to continually put the world on notice, that while King’s X and its fearsome trio may still be underexposed, success and influence cannot always be measured in albums sold.

An Interview with David “Clem” Clempson of Humble Pie & Colosseum

With his late ’58 Gibson Goldtop slung over his shoulder, Clem Clempson’s voice still reverberates through the annals of Rock history. Once forgotten, but now, waiting to be discovered by legions of new fans throughout new eras.

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