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Unmasking Bias Within The Cultural Zeitgeist: Tarah Who?s & YUR MUM’s Upcoming Single, “Push Me”

If Tarah Who? and YUR MUM are a pair of lit matches, then “Push Me” is a can of gasoline simply biding its time, looking for its official invitation to explosively enter the stratosphere. The track services as official notice that both Tarah Who? and YUR MUM are on a mission to push the message that independent artists are meaningful in the industry in the same way that larger artists are.

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Summer Vibes Take The Form Of Pop Mastery: Reviewing Gigi Vega’s Single, “Down Crazy”

For talented artists such as Gigi Vega, it’s only a matter of time before the world takes notice. After putting in the work since the age of twelve, it seems that for Gigi, the time is now.

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An Exercise In Audio High Fidelity: Reviewing Zaythemusic & Jayywallin’s New EP, The Chosen Ones

If you ask Zay and Jayy, they would tell you they were handpicked by GOD himself for prescribed musical greatness. With tracks such as “Too Slimy,” and “Rainy Clouds,” it’s hard to argue, as they display the full range of the duo, and demonstrate their obvious musical fluidity, and compatibility.

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Avante Garde Stylings For The Modern Hip-Hop Era: Reviewing Darko The Super’s New Record, Great White Buffalo

Darko The Super has managed to take everything we love about 1980s Electro-Hop, 90s Golden Age Hip-Hop, and 2000s Vaporwave, and merge it all into one ultramodern, futuristic, forward-thinking tour de force. Great White Buffalo is a record we are going to be talking about for years to come. With these tracks laid to tape, and now unleashed unto the world, its legacy is soon to be formally cemented.

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Finding A Deeper Meaning: Savarre’s New Single, “Art Of The Bleed” Lays Down The Spiritual Gauntlet

Evan’s and company have always been a group that leans more toward the artsy side of things, with tracks that tell stories via raw emotion via folktale bloodletting, but with the release of “Art Of The Bleed,” we see the band deepening its roots, and harkening back to some not so obvious influences.

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A Portrait Painted Via Self Discovery: Reviewing Daphne Wolfe’s Single, “Under My Spell”

This ethereal track finds the young Daphne Wolfe at perhaps her most vulnerable. I am intrigued to see where this burgeoning artist goes from here. Tune in this coming January to take the journey.

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Ringing In The Holiday Season: Reviewing Doug Ferony’s Classic Single, “It’s Christmas”

Fans of Bing Crosby, and old-school Phil Spector “wall of sound” production, mixed with late 50s Swing will be right out home here. Ferony’s backing band, which consists of Dena Derose on piano, Chris Berger on bass, and the effortlessly energetic Joe Strasser on drums is awash in frenetic, bright Christmas spirit.

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Calling Out To The Past, While Looking Toward The Future: Reviewing Michael Baker’s Hasten Mercy

It’s always a roll of the dice to pay homage to your heroes, as the artist runs the risk of chaining themselves to old ghosts, rather than moving themselves forward. This said, with Hasten Mercy, Michael Baker has not only managed to show us his influences but he’s got a very real foothole in showing us how he might better them.

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Reviewing MARLEE’s Hypnotic New Single, “Tru Luv”

If you’ve been searching for some R&B with Hip-Hop to soundtrack your next date night, look no further — New Jersey native, MARLEE, has delivered a fresh new track in the form of “Tru Luv,” which is sure to satiate your appetite.

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Reviewing Bathroom of the Future’s new EP, Everybody Else Here Is Having Fun

Bathroom of the Future is at it again with another hard-hitting Nerd-Punk EP Everybody Else Here Is Having Fun. Starting with a chiptunes edit of one of the songs on the EP Capcom Girl followed by “Capcom Girl” and “Watching Bill and Ted Outside,” this 3 song EP encompasses all that the trio stands for in defining the genre of Nerd-Punk/Rock.

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