In this all-encompassing head-to-head chat with prolific bassist, vocalist, and songwriter we talk about his multi-faceted career and the time he had with childhood friend and co-founder/vocalist/guitarist D. Boon and beyond.
Blistering in its content, Nimrod offers a grouping of in-your-face songs that rarely miss a beat. Despite its greatness, Nimrod isn’t held in the same regard as 1994’s Dookie, a record that catapulted Green Day to superstardom and beyond.
The veteran bassist dishes on II, creating an album during the pandemic and the musical brotherhood the members of Dead Cross share.
Dave Dictor’s grassroots journey has been a wire-to-wire gamut bred through word-of-mouth fortitude and creative selflessness seldom seen.
Amongst a buzzing no-wave and visual arts scene, unlikely indie hero, Bob Bert, found a home behind a drumkit.
An amalgamation of spike-headed punk ethos, 50s greaser mentality, and 70s glitter-bomb glam, Blondie encapsulated all that was to come, and more as multiple waves of music washed across an unsuspecting scene through storied venues such as Club 82, and the infamous CBGBs.
In Armstrong, we see a musician who has changed the landscape for so many artists and bands. The fact that Green Day has released some artful music through the years, and puts on a live show that keeps the crowd in the plan of Armstrong’s hands simply cannot be discounted.