I suppose it all depends on the perspective you take. If you take it for what it’s purported to be – a celebration of Eddie and Van Halen’s legacy – it could be fun. On the other hand, if you take it for what it may well be – an obvious cash-grab, and complete bastardization of a once-great band, by a group of players who together have no business calling themselves “Van Halen,” or “Van Hagar” – you might have different feelings on the matter entirely.
All in all, the 2022 version of the Taiwan Beats Showcase has proved to be integral to the region’s growth and continues to demonstrate Taiwan’s importance to the overarching independent and alternative scenes. I am of the opinion that the showcase will continue to serve as a proving ground for young and old artists alike, as they gain greater exposure and subsequent entry into the western zeitgeist.
“Limerence” isn’t a track necessarily treading new ground – the artist’s Bob Dylan fandom is apparent – but what Shinn is doing is reclaiming lost reverence for a simpler time. A time when music need not be autotuned, overproduced, or oversaturated with multi-track instrumentation.