In reality, the woman is beautiful but societal pressures, and unrealistic expectations of beauty callously mounted into, and shotgunned out through a myopic zeitgeist have left the young woman nothing more than a hollowed-out husk.
Death By Design further serves to showcase in/error as a young band on the verge of burgeoning greatness and acts as a harbinger of things to come for in/error. If you’re new to the band, now is the time to get in on the ground floor, as soon enough, in/error will be soaring to heights previously unknown.
If Tarah Who? and YUR MUM are a pair of lit matches, then “Push Me” is a can of gasoline simply biding its time, looking for its official invitation to explosively enter the stratosphere. The track services as official notice that both Tarah Who? and YUR MUM are on a mission to push the message that independent artists are meaningful in the industry in the same way that larger artists are.
For talented artists such as Gigi Vega, it’s only a matter of time before the world takes notice. After putting in the work since the age of twelve, it seems that for Gigi, the time is now.
If you ask Zay and Jayy, they would tell you they were handpicked by GOD himself for prescribed musical greatness. With tracks such as “Too Slimy,” and “Rainy Clouds,” it’s hard to argue, as they display the full range of the duo, and demonstrate their obvious musical fluidity, and compatibility.
Darko The Super has managed to take everything we love about 1980s Electro-Hop, 90s Golden Age Hip-Hop, and 2000s Vaporwave, and merge it all into one ultramodern, futuristic, forward-thinking tour de force. Great White Buffalo is a record we are going to be talking about for years to come. With these tracks laid to tape, and now unleashed unto the world, its legacy is soon to be formally cemented.
Evan’s and company have always been a group that leans more toward the artsy side of things, with tracks that tell stories via raw emotion via folktale bloodletting, but with the release of “Art Of The Bleed,” we see the band deepening its roots, and harkening back to some not so obvious influences.
This ethereal track finds the young Daphne Wolfe at perhaps her most vulnerable. I am intrigued to see where this burgeoning artist goes from here. Tune in this coming January to take the journey.
Fans of Bing Crosby, and old-school Phil Spector “wall of sound” production, mixed with late 50s Swing will be right out home here. Ferony’s backing band, which consists of Dena Derose on piano, Chris Berger on bass, and the effortlessly energetic Joe Strasser on drums is awash in frenetic, bright Christmas spirit.
It’s always a roll of the dice to pay homage to your heroes, as the artist runs the risk of chaining themselves to old ghosts, rather than moving themselves forward. This said, with Hasten Mercy, Michael Baker has not only managed to show us his influences but he’s got a very real foothole in showing us how he might better them.
